Tuesday, November 11, 2014

Rusland St Paul, Cumbria




RUSLAND, a district chapelry, in the parish of Coulton, union of Ulverston, hundred of Lonsdale north of the Sands, N. division of the county of Lancaster, 8½ miles (N. N. E.) from Ulverston. The living is a perpetual curacy; net income, £50; patron, the Incumbent of Coulton. The chapel, dedicated to St. Paul, was consecrated in 1745.  (A Topographical Dictionary of England. 1848. Samuel Lewis, Editor.)

Of course none of this was on my mind one bright but chilly April morning.  I had eaten enough breakfast for three, including local eggs and famous Cumbrian sausages, and was feeling, not to put too fine a point on it, quite stuffed.  But I was on a mission, a personal quest.  And it was not truly a religious one but a desire to visit Rusland church and pay my respects at the grave of Arthur Ransome, author, reporter, columnist, angler, sailor, artist, and many things besides, buried there with Eugenie, his wife.

To find the church one needs a good map because as one climbs the narrow lanes above Newby Bridge and the southern tip of Windermere it becomes apparent that there are no signposts! Until the hamlet of Rusland Cross is reached and small signs direct the pilgrim further up the valley to the church.  And it is as if one enters another world, cut off from the hustle and bustle of Lakeland tourism.  WG Collingwood, a close friend of Ransome, described the valley in his 1933 work, The Lake Counties:

 At Satterthwaite the sister valley of Grizedale joins Dale Park to make the lakeless but most charming Rusland Vale – Role's Land in old documents, and perhaps once the possession of some forgotten Rolf.

St Paul’s church stands on a rocky promontory and is quite breathtaking at first sight.  Not on account of its architectural grandeur but simply the beauty of its location.  The original building of 1745 was designated a chapelry – a subdivision of an existing parish (Colton, three miles to the south) but with a degree of autonomy.  (These were common in upland, rural parts of northern England on account of the difficulties of walking to church.)  I am still trying to find original sketches of this building but even local sources are struggling.  We do have a delightful description of the first church in the form of a poem.  Eliza Anne Skelton, daughter of one Captain Jones Skelton, was a well-read author and poet, and shortly to be the wife of William Browne Ponsonby, son of the late Captain Ponsonby Royal Navy (I kid you not) and she contributed this poem to the popular Ainsworth literary magazine in 1843 (Volume 4.)

Rusland Chapel, Vale of Rusland
By Miss Skelton of Rayrigg Hall

There is a little chapel on a hill,
The mountain breezes sing around the shrine,
The wild wind sweeps the narrow aisle at will,
Through lattice panes at will the sunbeams shine.
No shrouding curtain sheds a solemn gloom –
No glowing pane is rich with varied dyes;
O’er noble rest is rear’d no marble tomb,
Where dust and kindred dust in slumber lies.
Oh, little wayside chapel! rude and lone
Thou art; yet made more glorious by the might
Of faith! whose power can raise the meanest stone
Into an altar of celestial light,
Making this humble chapel on the hill
A temple God himself will not disdain to fill.




Less than twenty years later St Paul's was promoted to parish status but not until after some improvements had been carried out. In 1866 the nave was completely rebuilt with stone-mullioned windows; the tower was built up another fifteen feet; was the roof was elevated and reinforced, the full length of the church was buttressed, and a new chancel was added.  This last addition was not without controversy.  To complete it meant that the church had to be extended over consecrated burial ground.  One of the local aristocratic families, the Twisadays of Thwaite Moss (try saying that with a mouthful of Kendal Mint Cake) objected because a family grave would be affected.  So the grave was untouched - spanned by an arch in the south wall of the chancel.  Ingenious, eh?  A vestry was built over graves on the north side of the chancel and as there was no objection one can only assume that these were where people of less money and influence were interred!




Perhaps the gem of this visit was the simple Ransome grave, but the whole church, outside and inside, is an example of the Victorians “getting it right.”  There are no great historical puzzles and no architectural surprises, but Rusland St Paul is a delightful place to sit quietly and enjoy a parish church that is immaculately kept and has a certain remote air of its own.  Of other mention: The Victorian stained glass is pleasing to the eye, and the creamy-yellow font and the foundation of the pulpit (both dating from the 1866 restoration) is Jurassic limestone from the quarries near Caen, north-west France.







A minor complaint, but understandable I suppose, is that the church has capitalized on the Arthur Ransome theme and the cardboard and paper display behind the font looks as if it has been assembled in haste.  It’s a bit tatty, and I’m sure that the meticulous man himself would not have approved.

And a final note:  It was good to spend time in a parish church that Arthur Mee had not visited and covered in his travelogue!






My thanks to the Reverend John Dixon, Vicar of The Benefice of Hawkshead with Low Wray and Sawrey and Rusland and Satterthwaite; also to Kevin Baverstock and Suzanne Tiplady, both St Paul’s parishioners and local historians, who all contributed to the writing of this post.

OS Grid Reference: SD3426388751



Friday, November 7, 2014

Ghosts of Churches Past (1)




If you stand on the north lawns of Worcester Cathedral and look out you will see a garish, L-shaped building with a pedestrian walkway under its shorter arm.  Built in the 1960s the ground floor is now occupied by a variety of shops and a cafĂ©. The upper five floors are now apartments but after their initial constriction in 1966 they were the prestigious Giffard Hotel, then Worcester’s one and only up-market hotel.  Three stars with rooftop parking!  The hotel lasted nearly half a century, closing its doors in October 2003 – but it’s legacy is preserved, officially regarded as modernist architecture “gone wrong” after George Ferguson, the president of the Royal Institute of British Architects, said it could be included on his "X-list" of the country's "most vile" buildings.

This part of Worcester was not always a civic eyesore. It was once a ramshackle but historical part of the city.  Parts were run down, admittedly, but most were simply in need of imaginative repair.  From Elizabethan to Georgian it was an architectural potpourri.  Until the planners moved in.  As a young boy alighting at a nearby bus stop every school morning I was a witness to what may described justly as a development blitzkrieg.  It is odd that so much of this remains engraved on my memory.  Huge cranes with wrecking balls swinging; bulldozers and gangs of men with sledgehammers.  Noise and dust everywhere.  Tall fencing being installed and concrete-delivering lorries by the hundred. Black and white timbered buildings there one minute and gone the next. And I recall the church, St Michael’s, opposite the War Memorial, being pulverized by machines one morning, and thinking, “That’s not right!  You can’t do that to a church!”  But they could and they did.  Just as they did to the Cathedral lychgate.

St Michael’s in Bedwardine was an Ancient Parish.  By that I mean that it was established before 1597 (and the Elizabethan Poor Laws which defined the duties of a parish.)  Its architectural roots were medieval (the first vicar was Will’us de Norton in 1280) but the only remains of that church are flat stones with faint inscriptions found near the war memorial.  It was both a cemetery chapel (traditionally the Archangel Michael was thought to have an interest in funerals) and a place of worship for a small community that in those days was outside of Worcester’s city walls.  Records note that in 1775 the parish contained ninety-nine houses and six hundred and twenty-two people.  One small sketched image exists of the church dated 1796 but I am still hunting for more. 




A single description is preserved in the Transactions of the Worcestershire Archeological Society.

The church … is an ancient building; its inside, by the last fitting up it received, hath been rendered extremely neat, decent, and commodious.  A new altar-piece, communion table, and a pulpit, embellished with good carvings, which, with a new gallery and pews, have given it altogether a very respectable appearance.  (Transactions.  Vol. XIX.)

This original church building was demolished in 1843, having stood empty for four years after a new St Michael’s was built in 1839 “just over the road.” 

I never entered the new church and I have asked Worcester Museums if any images of the interior exist.  If there are any I will post them in a later column. In the meantime these are pictures of the church that are in the public domain.

St Michael's Church, College Street


St Michael's Church with the lychgate to its side


Photograph of St Michael's Church taken from the cathedral tower